Maris, Bill

Zone d'identification

Type d'entité

Personne

Forme autorisée du nom

Maris, Bill

Forme(s) parallèle(s) du nom

  • Maris, William
  • Maris, William A.
  • Maris, William Austin

Forme(s) du nom normalisée(s) selon d'autres conventions

Autre(s) forme(s) du nom

Numéro d'immatriculation des collectivités

Zone de description

Dates d'existence

1924-1986

Historique

William Austin Maris was born at his maternal grandmother’s house in Woodside, Queens, on October 28, 1924. Shortly after his birth, his mother returned with him to the family home in Steubenville Ohio. Maris’ father, Constantine Maris, had opened a photo studio in the 1920s, where his artistically-inclined mother, a photographer, printed in the studio’s darkroom, hand painted photographs and also designed and made costumes and backgrounds. Indeed, the entire Maris family was creative – his sister Minerva Maris Wagner would later become a professional photographer with the Miami Herald; another sister, Helen Maris, was also an artist . The young Bill Maris took up photography early on, recalling that by the age of seven he and his sister Minerva had begun setting up a large format camera on the street (no doubt supplied by his father’s studio) in order to photograph passersby. Maris graduated from high school during World War II and enlisted in the army as a photographer. Following the war, he relocated to the Lower East Side in New York, where he soon joined a professional and social circle of artists and photographers. He was loosely connected with the Photo League at this time, and made use of their accessible darkrooms. This period in New York would become a formative one for Maris politically, culturally and artistically, and from the late 1940s on, his work was concentrated in and around the city. In the early 1950s, Maris met his future business partner, former architecture student-turned master photographer Ezra Stoller, noted for elevating architectural photography to an art form. During their partnership, Maris photographed such landmark structures as the TWA Terminal at John F. Kennedy Airport (then Idlewild Airport), the Ford Foundation Building, and the Seagram Building. Maris and Stoller continued working together until the mid-1960s when they dissolved their business partnership (though the two remained on friendly terms). During the 1960s and early 1970s, Maris' architectural clients included I.M. Pei, Groupius's firm The Architects’ Collaborative (TAC), Richard Meier, Charles Gwathmey, Robert A.M. Stern, Julian and Barbara Neski, and Norman Jaffe, among others. He also completed numerous magazine assignments, primarily on the East Coast, for publications such as House & Garden, House Beautiful, and Traditional Home. His commercial clients included IBM and Avon Corporation. He also photographed the works of architects and designers Norman Foster, Michael Graves, Eero Saarinen and Frank Gehry, in addition to interior designers such as Jack Lenore Larsen and Timo Sarpaneva. Maris’ work has been acquired by institutions such as the Yale University Art Gallery and the San Francisco Museum of Modern Art’s architecture and design collection. Maris died in New York, New York, on December 16, 1986.

Lieux

Statut juridique

Fonctions et activités

Photographer

Textes de référence

Organisation interne/Généalogie

Contexte général

Zone des relations

Entité associée

Semel, Julie (1941-)

Identifiant de l'entité associée

JSemelMaris

Type de la relation

d'association

Type de relation

Semel, Julie is the business partner of Maris, Bill

Dates de la relation

1969 - 1986

Description de la relation

Entité associée

Semel, Julie (1941-)

Identifiant de l'entité associée

JSemelMaris

Type de la relation

famille

Type de relation

Semel, Julie is the spouse of Maris, Bill

Dates de la relation

1977 - 1986

Description de la relation

Zone du contrôle

Identifiant de la notice d'autorité

BMaris

Identifiant du service d'archives

Règles et/ou conventions utilisées

Statut

Finale

Niveau de détail

Dates de production, de révision et de suppression

Langue(s)

Écriture(s)

Sources

Notes relatives à la mise à jour de la notice